Pikelet - Evelyn Ida Morris - Speaks Camp Doogs Highlights with Amber Fresh
Ev has her "best Pikelet show ever" and talks "nature", euphoria and melancholy…
Doogs was amazing. More mud, maybe less magic, still amazing. Mink Mussel Creek blew our minds, so did many others. Evelyn Ida Morris came to play solo as Pikelet and with wild ones Baseball as le drummer. We talked in the backyard post-Doogs and here's what she said:
Amber: bonjour. why are you learning french?
EM: because i want to live in france for a little while, and just try it out.
AF: what do you like about france?
EM: it's in europe (laughing). there's lots of things actually. i just want to live somewhere where i can tour easily. also i just want to learn another language and being there would make that easy.
AF: what was your general impression of doogs? for someone who's been to lots of festivals and played all over the place?
EM: well it reminded me a lot of being at camp a low hum in new zealand which i've been to a few times and i really love.
general impression was it was very muddy (laughing). but also what i loved about it was… it wasn't trying to be a bigger festival… i liked that it was doing some things like putting bands in an order that they wouldn't have them at a bigger festival.
like, i was really shocked that i was playing a pikelet set later on in the evening, because i thought that that wouldn't work. but what was amazing was that all of that stuff did work just because the crowd was super up for things. and that's what makes it a really good festival i think. the crowd is just like, just up for everything. like when krakatau played last on the first night it just felt really good.
AF: cool. what was it like to play a baseball show again?
EM: we had two shows in melbourne before we came over to prepare. actually i think i wasn't prepared enough or something. i didn't do a very good set, i thought. everyone said all this nice stuff to me and i was trying to be all humble about it, but really i was just beating myself up cos i didn't play as well as i wanted to - i wanted to do a REALLY good job because i have such fond memories of coming to perth really early on in baseball.
AF: i think i permanently injured my neck dancing sitting squished underneath the bar of the hyde park hotel, just dancing with my head when you guys played.
EM: yeah that show was so fun. and was that the first time we met?
EM: it was at the swan. that one you and i played together, with baseball, we were meant to play in the basement but it flooded so we played upstairs. it was the first time i met nick… anyway (at doogs) i was just "do a good job for the perth people!" and then i fucked it up.
AF: well, yeah, i mean my perspective is it's quite obvious that you're a genius even if you're making a few mistakes.
EM: oh thank you amber (laughs).
AF: what did you particularly love at the festival music-wise that was a surprise for you?
EM: i have to say i was a bit in my melbourne bubble so i saw a lot of my friends' bands that i would always see in melbourne, which is probably a bit of a bad move and i hope people don't hate me for that. but Hearing actually kind of stole the show for me, and hardly anyone was watching them.
AF: i was watching them
EM: yeah i remember. there was something fucking magic going on during their set. it was raining lots so there was hardly anyone down front, but they're great songs and they just had such a good set, i really felt very moved by it.
it wasn't super a surprise because i've felt that way before with them, but something about the setting, and the comraderie of everyone standing in the rain just felt really special. so yeah they were definitely my faves, Hearing.
AF: did you feel connected to the landscape at all, aside from just having it upon you in mud form?
EM: that's something that i actually find really interesting about festivals. but it's not unique to festivals; it's actually how i feel about nature throughout my life. i have this kind of weird melancholy, whenever i'm around nature. which feels like "i'm sorry". like i feel bad because of i know that i've done so much damage to general environmental situations.
i feel like that especially at festivals because you can see the literal destruction, but also i feel bad because i don't feel connected to it, and i never have, and i understand that the best, respectful, most best way for me to treat nature is to just not fuck with it. and to keep my distance.
i have this urge in me to be connected to nature but i know it's probably not going to happen because our systems have gone too far apart. it's not going to happen in my lifetime. so whenever i'm at festivals, it's almost like more of an actual literal expression of how i feel in nature all the time.
EM: deep, hah!
AF: yeah that's pretty heavy. i have it sometimes.
AF: when i'm not basically ejaculating in my pants of happiness at looking at small bits of nature, i get the melancholy too. even last night from the sunset. it's the most beautiful thing you've ever seen in your life, but there's a melancholy. i feel like maybe it's something to do with infinite things, and that it's hard for us to integrate
AF: infinity (simultaneous)
EM: that amount of knowledge (simultaneous)
EM: i agree. i think that's why the systems we have were created. because infinity and mortality are intangible to us. we can't deal with them. that's why we made all these systems that are about, "go to work!" and, "do daily tasks!" because those bigger things are too impossible.
i don't know. nature is just always going to be a crush i have that i can't quite grasp. i've never had the guts to ask it out on a date.
AF: well i was wondering when you were talking before if maybe your gardening (ev gardens, even doing 'green composting' with broad beans) is a way to be close?
EM: yeah, well gardening is… a bit futile as well. i always feel like i'm just… what's the saying - there's definitely a saying for this - it's like trying to hold the ocean in your hands, like there's always weeds coming back in and you're constantly trying to fend off the "natural growth". weeds are not natural though, so i kind of feel ok about killing them. anyway, i sound like a hippy.
AF: that's ok it's good to be a hippy. .. yeah, any other special moments? any other non-melbourne musical special moments from dooglets?
EM: hmm. well actually, but this is another melbourne one. sarah chadwick's music makes me cry every time. and also she's an old friend and we haven't seen each other much lately and so i miss herd early. actually i wept like a baby during her set. and gregor was standing next to me and i had to like hug him and cry. which i think happens to a lot of people during her sets.
i just felt like wandering around that everyone was being really respectful. it didn't feel like a gross festival vibe. like, people were wasted but … it felt like people were taking care of each other. i guess that's not really a moment but it's a vibe and honestly, during the pikelet set -
the whole time i was there - i think i told you this - i was trying to practice this thing where i was in the audience but trying to let go of the fact that other people might see me. like that other people might be looking at me. i was trying to let go of the gaze, i was just trying to be in my body. and that all sort of culminated that when i was playing the pikelet set, i just felt completely, really present and that audience were just so loving that i just felt extreme euphoria.
i've never had a pikelet set feel that good.
EM: that was definitely one of the best times i've had playing music. and ever since doogs i keep thinking back on it and just going "wow". haha! like it just felt… i don't feel like i played especially well, but i just felt so good. you know, it was a really really good situation they set up. and i loved all the banter in between the bands as well. i thought that was pretty amazing.
AF: i gotta type this up so i gotta stop. any final words?
EM: i feel bad that i haven't got any perth bands to speak of.
AF: don't worry there were hardly any.
EM: yeah exactly. ok.
AF: it was special for us to have lots of guests over you know. there were only a few local bands.
EM: yeah there was mink mussel creek, and they were…
AF: they've not played for four years.
EM: that was pretty wild, i was dancing a lot behind them.
AF: and mile end, and adam said galore, and verge collection. i think they were the only local ones. oh no actually the choir - (Burundi Band and Peace Choir)
EM: OH THAT WAS AMAZING! and actually i have to say that soukouss internationale they
AF: i think they're actually from here
EM: they were fucking amazing. i had the most incredible conversation with someone while they were playing and we were dancing, they were just the funnest band. i thought they were great and the choir were great. the end.
AF: thank you
EM: no worries
AF: eleven minutes!